Re: A very disheartening conversation
Posted: Thu Nov 25, 2010 9:27 am
Hi all,
I am enjoying the responses, here. One thing I've got to say is the young man was discussing creativity in his fly tying. I agree with Jerry nobody is "self taught" in the sense that they never looked at anything to learn. I was thinking the same thing, really. You've got to learn somehow, the proper technique of tying in order to tie in the first place. If you don't, what do you have--flies that fall apart, ill proportioned, and do not look like any food the trout would look at.
However this young man felt he was being more creative by NOT watching others tie. Here's a quote-
"I don't really like looking at the flies others tie because I feel that it stunts my creativity and I don't like stealing (either intentionally or subliminally) others' techniques. I'm a bit of a flytying recluse, and I like it that way.
When it comes to appreciating others' work, I value ingenuity above all else. If I'm left wondering, "How did he DO that?" or "How did he think of using THAT material in THAT way?" then the tier will have gained my respect and admiration. If not, then they won't. I am not very impressed by technical tying per se unless it is precise in its execution of something new and interesting. I hate looking at a millionth perfectly tied Green Highlander (OK, maybe there aren't that many, but if there's one perfectly tied Highlander, then that's enough as far as I'm concerned). I would much rather see an original pattern, with all its flaws, tied by the inventor of that pattern.I will say that I have developed a technique if I have developed a technique, even if someone else happened to have developed it first. Because I don't like seeing what everyone else is doing, many of the things I do are likely not original in the sense that I'm the first person to do them. But they are original in that I didn't learn them from someone else, and I value that. It may just be another wheel I invented, but if I'd never seen a wheel before, then it's no less impressive a feat than if I'd invented the first one. If someone else later makes a similar wheel without knowing about previous wheels, then I hope that their creativity will be valued for what it is. To me, originality is about creating something new to you, not new to the world. If it also happens to be new to the world (which is a rare thing indeed), then that may be special to the world, but it ought not to make any difference to you one way or the other."
I hope this helps clarify, somewhat, what the young man said or was speaking of. To me, however, Art-in no matter what form, is a learning process, and often can not exist without outside influence. Yes the process is individual and internal, however it is built on what has gone before. An artist builds upon previous knowledge even if he chooses to ignore it. He must know about it first in order to ignore it.
Mark
I am enjoying the responses, here. One thing I've got to say is the young man was discussing creativity in his fly tying. I agree with Jerry nobody is "self taught" in the sense that they never looked at anything to learn. I was thinking the same thing, really. You've got to learn somehow, the proper technique of tying in order to tie in the first place. If you don't, what do you have--flies that fall apart, ill proportioned, and do not look like any food the trout would look at.
However this young man felt he was being more creative by NOT watching others tie. Here's a quote-
"I don't really like looking at the flies others tie because I feel that it stunts my creativity and I don't like stealing (either intentionally or subliminally) others' techniques. I'm a bit of a flytying recluse, and I like it that way.
When it comes to appreciating others' work, I value ingenuity above all else. If I'm left wondering, "How did he DO that?" or "How did he think of using THAT material in THAT way?" then the tier will have gained my respect and admiration. If not, then they won't. I am not very impressed by technical tying per se unless it is precise in its execution of something new and interesting. I hate looking at a millionth perfectly tied Green Highlander (OK, maybe there aren't that many, but if there's one perfectly tied Highlander, then that's enough as far as I'm concerned). I would much rather see an original pattern, with all its flaws, tied by the inventor of that pattern.I will say that I have developed a technique if I have developed a technique, even if someone else happened to have developed it first. Because I don't like seeing what everyone else is doing, many of the things I do are likely not original in the sense that I'm the first person to do them. But they are original in that I didn't learn them from someone else, and I value that. It may just be another wheel I invented, but if I'd never seen a wheel before, then it's no less impressive a feat than if I'd invented the first one. If someone else later makes a similar wheel without knowing about previous wheels, then I hope that their creativity will be valued for what it is. To me, originality is about creating something new to you, not new to the world. If it also happens to be new to the world (which is a rare thing indeed), then that may be special to the world, but it ought not to make any difference to you one way or the other."
I hope this helps clarify, somewhat, what the young man said or was speaking of. To me, however, Art-in no matter what form, is a learning process, and often can not exist without outside influence. Yes the process is individual and internal, however it is built on what has gone before. An artist builds upon previous knowledge even if he chooses to ignore it. He must know about it first in order to ignore it.
Mark