Hare's ear nymph

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Mike Connor

Hare's ear nymph

Post by Mike Connor » Mon Sep 19, 2011 5:57 am

There really is no such thing as a Hare´s ear nymph. One can make dozens of nymphs from various parts of the hare fur. The traditional "standard" "Hare´s ear" nymph was usually made using the hare´s poll, which is the sandy red coloured hair at the base of the ears, on the "forehead". This was used for the abdomen, and then darker fur from the ear was used for the thorax, but this dark fur may be obtained form a number of places on the ears, body or mask.

Like many things, what one uses depends on what one wants to imitate with it. You can scratch about on the ears for half an age, but there is not really much useful hair or fur on most of them except for fairly short dubbing. I have been working on an article about hare´s masks now for about two years, on and off, but it is a fairly major task due to the complexity of the subject.

On the ear alone there are at least six quite distinct types and colours of hair, and there are even more on the mask itself.

The GRHE ( Gold Ribbed Hare´s Ear ) of chalk stream fame, was really a general emerger pattern, and not a nymph. as such. You can dress a generic version by simply using the poll hair, and a darker thorax made from the hair between the eyes on the mask. But if you want a more specific version for a certain mayfly type, say Baetis nymphs, then you need to know a bit more about the insects you are trying to represent, and also about the materials you are going to use.

Many people rely almost entirely on generic nymph patterns for mayflies and indeed other nymphs, and this works quite well, but more specific patterns tend to work better. If you wish a generic nymph, then the standard as described above, will do. There are thousands of variations extant, here is one of mine which I use for a few mayfly nymphs, agile darters like Baetis rhodani, the Large Dark Olive ;

http://www.first-nature.com/insects/eph ... hodani.htm

Nymph shown here;
http://fdf.flies.tripod.com/sitebuilder ... inymph.jpg

Here are a few more images;
http://images.google.com/images?q=baeti ... a=N&tab=wi

Or the BWO Blue winged olive;

http://www.ifly4trout.com/hatches_insec ... baetis.htm

But you really need to know which insects you have where you are fishing, and tailor your artificial accordingly. Hare fur is an excellent material for this. Most of the commercial patterns, and many others, are not very good,but they sometimes work. Often with bead heads etc as well. I don´t really like any of them.


Hook is a size 12 1X long straight hook. ( exaggerating size often works well for nymphs)

Thread: Yellow Danvilles Flymaster 6/0

Tail. A sparse bunch of mottled guard hair.

Abdomen: Light buff soft fur from the bottom right or left hand side of the mask.

Rib: Round gold tinsel, or (varnished! ) copper wire.

Wing case. Guard hair from the top back of the mask, either very dark brown or black. Tied in so that the wing case is dark.
Thorax: dark fur from the upper middle part of the ear, or the "middle cut" from the same guard hair as the tail.

Head: Brown marker. Varnished

The body should have a pronounced taper, and only a very small amount of dubbing is required. One may also make the thorax longer and fatter than this, depending on the specific nymph one is imitating; One may also add a couple of turns of lead wire under the thorax if desired. These nymphs are anything from 6 to about 15 mm, so I usually go for about 12 mm overall, unless i have caught a couple of naturals and know the right size. (Just before the hatch the nymphs are of course mature and larger! ) These nymphs basically have to be dressed on longer shank hooks, as they don´t look right at all on short hooks. Here is one with the fatter longer thorax, and I have rotated it between shots to show the various salient points. These nymphs are more or less indestructible, as they are made of tough hair;

Image

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The full potential of these nymphs is only really seen when wet in water. The yellowish olive silk shines through,as does the ribbing. These nymphs are quick and easy to dress, and extremely effective. As I already wrote, they are also far more robust than flies dressed with pheasant tail,and similar materials. It should be noted that the tails on many of these nymphs are as long as the bodies. One may imitate a completely different species simply by using a different colour of thread. Orange, Brown etc. Some mature nymphs are also very much darker than their immature cousins.

As stated, you can also weight these nymphs using lead wire under the thorax if you wish. If you do this, put a spot of red varnish on the head, so you know the fly is weighted.

I have caught many many fish on these and similar nymphs.

Tight Lines! ~ Mike Connor
CreationBear
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Re: Hare's ear nymph

Post by CreationBear » Mon Sep 19, 2011 7:27 am

Outstanding tutorial (and flies). :) Am I right to assume you wash/condition smaller skins like hare's masks and pine squirrel whole, then take just what hair you need off the intact skin during each tying session? Any thoughts on "hare conditioning" :lol: would be appreciated.
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tie2fish
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Re: Hare's ear nymph

Post by tie2fish » Mon Sep 19, 2011 7:50 am

Thanks, Mike, for pointing out some of the details for this pattern. Here's a photo of one I tied earlier this year, and after reading your post I shall do at least two things differently the next time:
1) Use lighter colored and less hair for the tail, and, 2) try making the wing case out of mask hair instead of using pheasant tail barbs ...

Image
Some of the same morons who throw their trash around in National parks also vote. That alone would explain the state of American politics. ~ John Gierach, "Still Life with Brook Trout"
Mike Connor

Re: Hare's ear nymph

Post by Mike Connor » Mon Sep 19, 2011 7:50 am

CreationBear wrote:Outstanding tutorial (and flies). :) Am I right to assume you wash/condition smaller skins like hare's masks and pine squirrel whole, then take just what hair you need off the intact skin during each tying session? Any thoughts on "hare conditioning" :lol: would be appreciated.
It depends on what I am using the hair for. I do make up "pre-mixed" dubbing mixes for some things.

The only "conditioning" I do is to skin the animals, and prepare the skins. When the skin is ready I wash it thoroughly, allow it to dry, and then beat it lightly against my knee to "fluff up" the fur. I will post a bit more on this in a moment or two. Have to put it together.

TL
MC
Mike Connor

Re: Hare's ear nymph

Post by Mike Connor » Mon Sep 19, 2011 8:06 am

I get lots of requests from people at my classes, and elsewhere, to explain where and how I obtained some of my seemingly vast collection of materials, so here are some of the answers.

First of all, if you wish to collect "bits and pieces" from domestic pets or similar animals, ask the owners first, and be careful how you ask! Some people are very sensitive in this respect. Being charged with cruelty to animals, because you have been caught chasing the neighbour's cat while brandishing a razor, is not likely to further your fly dressing career, especially as at least forty character witnesses will then proceed to swear on a stack of bibles that you are a well known pervert anyway, and your obvious intention was to torture the poor creature! Even if the judge is a fly angler, and able to appreciate how difficult it is to obtain dubbing in this particularly delicately mottled shade of light ginger, you may still have problems.

Half a pound of mixed smelly dog hair which has been removed from the vacuum cleaner is also not a lot of use I have discovered. It is extremely difficult to clean, store, and dye, and is difficult to use for anything but rough dubbing. If you collect hair, try and get it on the skin. (I am not suggesting you go around skinning dogs or the like however!).

Getting some other stuff on the skin is also likely to prove somewhat problematic.

When people get to know that you collect fur or feathers, they will often bring you the most amazing things. It is better not to discourage them if you can possibly avoid it. A nice trout or a bit of smoked Salmon can work wonders here, when delivered to the appropriate people (nice old ladies who live under high tension wires is a good idea, see below!), and has some intrinsic merit!

Admittedly it is very difficult indeed to look pleased and enthusiastic when the lady from down the road brings you the seventh completely tick infested and irreparably squashed Hedgehog in succession, (although Hedgehog belly is a very useful dubbing and hackling material).

You must skin a Hedgehog in the same way as hedgehogs propagate their species by the way, extremely carefully! But do not be dismayed, the same lady may one day come up trumps, and present you with a Heron found in the garden, which has fallen dead from the high tension wires, or, as also happened to me once some years ago, two perfect if somewhat dried out Jungle cock necks, apparently once part of the decoration on ladies hats! (I refuse to buy Jungle cock or any other protected species nowadays on principle, but see nothing wrong in accepting such serendipitous gifts which would otherwise land in the bin!).

I still live in hopes that somebody will one day bring me a genuine Polar bear rug!

There are many possible sources of materials the old hare fur coat shown in the photo in the previous article was bought at a flea-market for next to nothing, and I have tied very many excellent flies from it already, as have quite a few of my friends!

Fox fur stoles and other furs were once much in vogue for fashionable ladies about town, and may be obtained quite regularly for next to nothing at flea-markets, jumble sales and the like. If you see something like this you think may be useful, and it is cheap, buy it! Especially any pure white fur you can get. The same stuff sold in small patches in expensive packaging probably costs a fortune at your fly dressing supplier or tackle shop. No matter that you do not yet know what to use it for, or what it is, have no fear, we will go into that later!

If you have a taxidermist in your area, he will probably be only too pleased to give you sacks of material at a modest price, or even free, especially if he gets a nice trout or sea-trout occasionally. Furriers also have large amounts of off-cuts which are useless for their purposes, but excellent for fly-dressing.

Small zoos and aviaries will often have dead animals and birds that they are only too happy to give away, as soon as they have ascertained that you are serious, ask them to freeze the deceased as soon as possible after their untimely demise, this makes things easier for you.

Large pet-shops sometimes have dead parrots and other birds and animals which have a lot of useful feathers, fur etc, it will not hurt to ask, but try and be diplomatic, if you walk into the shop when there are forty other customers in and ask in a loud voice whether or not the very ill looking blue macaw you saw last week has snuffed it yet, it is unlikely that you will receive anything other than black looks, even if the bird is indeed deceased, or perhaps even more so, because the creatures are apparently worth a fortune, and your enthusiasm for its feathers may be unfavourably connected with the unexplained mortality!

Such Monty Pythonesque scenes may be funny on television, but try explaining yourself to the officer who comes along to quell the resulting disturbance, this is not funny at all!

Dog trimming establishments can be an excellent source of materials, but talk to the owner, and he or she may arrange for separate types of hair, colours etc, from individual dogs, to be placed in separate bags for you. Some hair will be useless, and you can simply throw this away. Don?t under any circumstances try to burn it! The stink is quite indescribable! You may get some really good stuff here though. The "Collie Dog" a famous and very simple and effective salmon pattern when tied correctly, originated from such a source. Some terrier breeds have wonderful fine mottled hair for dubbing purposes.

Farmers and smallholders who keep hens will often save you the heads and necks of their birds when they slaughter them, you won't get anything like a Whiting cape doing this, but on occasion some very nice hackles;

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If you ask nicely and offer modest payment they will slaughter the animals in such a way that the capes are not soiled with blood etc. Capes soiled with dried blood are very very difficult to clean, and it is often not worth the trouble anyway. Of course such sources are rapidly disappearing nowadays, as more and more farmers specialise in "factory" farming of specific animals. The feathers from birds kept in cages are generally useless.

Bantam cocks sometimes have excellent quality feathers in wonderful colours by the way, there are still a lot of Old English Game strains around in these birds. If you see an outstanding cock cape on a bird, ask them to reserve it for you, it is easy to remove the cape and saddle from such a bird, and the wings are also useful usually. After having served a useful life these birds usually end up in the soup pot, as they are too tough for anything else, and are consequently almost worthless to the owner.

A small payment or a nice trout now and again may result in a real prize here. One of my best capes, a very rare genuine Brassy Blue Dun of superb quality came from such a source! I have no idea what it is worth, as I have never actually seen one anywhere near as good for sale, but I suspect an awful lot of money!

Such capes are now available from breeders such as Whiting, but when I got mine, they were almost unheard of. Not many dressers had ever seen such a cape.

The same goes for butchers who deal in game birds, turkeys, geese etc. This material can usually be had for the asking, and is absolutely perfect for fly dressing purposes. A good country butchers at Christmastime is a wonderful place for a fly dresser! Ask the butcher to refrain from plucking the birds, and do it yourself.

Human hair is usually relatively useless for dressing purposes, and contrary to popular opinion, is not the reason for my baldness! There are rumours of certain types of hair from specific parts of the anatomy of raven haired Andalusian virgins being used for some absolutely killing patterns, but the collection of this material poses problems which I consider beyond my capabilities of solving, however interesting and enlightening the attempt might prove, my wife would probably not have believed my perfectly honourable intentions either!

For similar, but not quite identical reasons, patterns calling for hair from the scrotum of a wild ram or similar, usually result in my seeking a somewhat less exotic substitute. Some people might consider this a little cowardly, and even rather less than dedicated on my part, and they would be perfectly right! Fishing is adventurous enough for me!

Of course, depending on the patterns you wish to dress, you may not need many of these things. To be perfectly honest, if I had known forty years ago what I know now, I would not have bothered with most of it at all! I learned a great deal about many things though, and it was usually enjoyable, and sometimes eventful!

Road kills are also an excellent source of cheap and very useful material, I have a very large collection of materials obtained in this way. Cost? A bit of borax and salt, and the time spent in preparing them.

The photo shows a small selection taken from dead birds found at the roadside;

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If you do find birds it is often best to clip off or pluck the feathers you require and not bother trying to skin them. Birds, especially small ones, are very difficult to skin unless you have a lot of practice. The wings of most birds should be clipped off close to the body with strong scissors or pruning shears, and then the knuckles treated with a 1/1 mixture of salt and borax, and left to dry until no sweating or moisture is discernible, add more salt and borax as required to achieve this.

When dry, place them in a sealed polythene bag and then in the freezer for a couple of days (this kills nearly all possible pests). After freezing I wash my stuff in warm soapy water, let it dry naturally for a while on a few sheets of old newspaper and give it a bit of a final blow dry with a hair dryer to smooth and fluff up the hair or feathers. I usually also microwave the stuff after freezing, for sixty seconds at six-hundred Watts, but this is not strictly necessary. I am just ultra careful.

Bugs can ruin a collection in no time, and my collection is large and irreplaceable. I have been collecting stuff like this for over thirty years.

The result, when completely dry, is then placed in a zip-lock bag with a few crystals of Napthalene or similar moth and pest deterrent. Useful body feathers should be plucked and treated in the same way. Write down on the packet where you got them from, what bird, what part of the body etc. Some old dressings give instructions where the feathers mentioned in the recipe may be found on the bird, this information is extremely useful, and saves a lot of frustration when dressing some patterns, as you can select the correct feather to start with. Dressing some flies with feathers from the wrong part of the correct bird renders them almost useless for their originally intended purpose. Of course you may not wish to dress such patterns at all.

Before you start collecting things like this, it is best to have at least an idea of what you are likely to need. Whatever you do, do not under any circumstances add materials to your collection until you are absolutely certain that all pests have been eliminated from them.

I also skin rabbits and hares, the occasional bisam or squirrel, and a few other animals, when I find them relatively undamaged at the roadside, squirrel skins and tails are especially useful. They must be fresh and not too badly damaged if you want to do this, if you are unsure how old the carcass is then leave it. If there is anything much crawling about on the carcass you should also leave it. If youz pick up stuff like this prepare or store it properly as soon as you get home! If you forget something like this in the boot of your car, especially in warm weather, I can absolutely guarantee that you will bitterly regret it!

This photo shows a small selection of road kill I have picked up;

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This photo is of hare skins which were brought to me by hunters. They keep the meat, I get the skins, and they get a nice seatrout or some flies, if they are anglers.

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Notice the large colour variation. This is one major advantage of road kill. You get animals which have winter and summer pelts. This is very useful for a variety of reasons. The pelts from hunters may only be shot in season, and this might not be exactly what you want. Hair and fur differs considerably at various times of the year.

Animals found dead on the road in winter are likely to be OK, in high summer be careful. You should wear a pair of heavy rubber gloves for picking such animals up and placing them in a well sealed polythene sack, and before commencing skinning or trimming operations douse the carcass with a good disinfectant, and wear gloves at all times.

In some countries or states it may be illegal to pick up road kills generally, or just certain animals, make sure you are aware of the regulations before you do it. Cats and dogs should be left alone, they invariably belonged to somebody, and if you are seen cutting bits off them at the roadside, completely unnecessary and ridiculous complications may arise, which it is better to avoid.

Skinning small furry mammals is quite easy, the usual method is to use a scalpel or sharp carpet knife. Cut carefully around the legs slightly above the "ankles" of the animal, and then cut down the inside of the legs towards the middle of the animal's belly. Cut as shallowly as possible to avoid damaging the carcass. A straight cut down the belly joining the four cuts you have made, and then using the back of your scalpel to ease the skin off works well. Taxidermists and others use different techniques for skinning many things, including birds. I use this technique almost exclusively, as I normally mainly want the guard hair form these animals, and although I may use some belly fur, it is of less importance.

The head of some animals is difficult to skin, and can be a messy business. If you don't need it, cut the skin at the neck and dispose of the head with the other remains. Hares and rabbits may be easily skinned, although removing a hare's mask can be a trial. Moles, and bisams are fairly easy, and squirrels are slightly more difficult, but after you have done your first one or two it becomes fairly easy. If you get them for nothing, it does not matter much if you muck one up.

Just a small but very important point here, if you keep stuff like this in your freezer, make sure it is properly wrapped and labelled. If your wife, girlfriend, etc, removes such a package and unwraps it, they will not generally be overly enthused upon viewing the contents. (Screams issuing from the cellar may well be a sign that something similar has occurred).

After you have completed the cuts described above, taking care not to damage the carcass itself, ( you can start with a scalpel and then use blunt nosed scissors to continue) the skin may be eased off by pulling, and using a flat bladed knife to sever any membranes etc.

When you have the skin off, take a piece of board and carefully nail (use galvanised roofing nails they do not rust and discolour the skin) the perimeter of the skin to the board, fur side down, stretching it as you go, when the skin is stretched fairly tight on the board carefully remove any fat or flesh left on the skin by scraping with a flat bladed knife or similar. You can also stretch such skins on a hazel frame, and "sew" the perimeter of the skin to the frame with string and a sacking needle.

Once the skin is clean, then powder it with a layer of salt and borax sufficient to cover the skin entirely, a few crystals of napthalene or paradichlorbenzene suffice to keep insects away. Put it in a cool dry place away from draughts and the likelihood of other animals getting at it. Inspect it at least once a day adding salt and borax if there is any trace of wetness. When completely dry, remove from the board, shake off the excess salt/borax mixture, wash and dry the skin, and proceed as already described for feathers. The borax is not absolutely essential here, you may just use salt if you wish, but the borax cures the skin faster.

When washing, do not leave the skins in the water for too long, as otherwise all the hair will fall out! This is known in the trade as "slip".

Small animal skins require no further treatment.

It is not necessary to tan the skins, this is a far more difficult process. If the skin is a little stiff this is not a problem, if you really need a flexible skin as for zonker strips or similar materials, then rubbing glycerine into the skin will soften it considerably, Nivea hand cream also gives good results. If you have difficulty obtaining industrial borax (Pharmaceutical Borax is very expensive) then a mixture of wood ash and salt works as well. The ashes from a charcoal grill, or any clean wood fire, are excellent as long as there is no fat or oil left in them.

Foxes, rats, and some other animals, carry dangerous diseases in many parts of Europe, and if you are not sure how to handle the carcass then leave it alone! It is impossible to give general advice here, you must inform yourself of the local regulations and conditions.

If you are at all squeamish it is best not to try this at all, and you should on no account carry out such operations in your kitchen or anywhere similar, not if you want to stay married for long, or have no particular desire to become homeless at short notice, quite apart from the hygiene problems which may arise. Do it in an outhouse or garage or on a table in the garden, and dispose of the remains carefully. Burying them is usually the best solution.

If you do bury things like this, do not do it at dead of night by torchlight, this will get you talked about if anybody sees you, and make sure you bury the stuff deep enough so that the neighbours dog can't dig it up and transport it proudly into your best friends house for supper. This sort of thing is liable to strain even the most abiding friendship!

Game animals are subject to stringent laws as well in some countries. Taking a dead deer or wild pig found at the side of the road for instance may well be considered poaching, and may get your car confiscated and result in fines or even worse. Protesting that you were not the person who hit it in the first place will avail you nothing.

Simply possessing some animal skins is also illegal, irrespective of how the material was obtained. Use your common sense here. It is unlikely that anyone will complain if you find a dead mole and use its skin, but do not go trafficking in mole skins and the like, or shouting about your collection at an animal rights meeting. Some of these people think even dead animals have rights, and may unfortunately even be correct in this respect in some places.

Before approaching some animals be absolutely certain that the animal is dead. Even comparatively harmless animals may bite or kick you if they have been seriously injured and are in pain, and the results may not be to your liking. If you do find animals injured but alive at the roadside, call the appropriate authorities, do not attempt first aid or putting the animal "out of its misery", this may well be misconstrued by other road users, and is unlikely to help anyway. If you are reported in the local newspaper because you were found bashing an animal?s head in with a tyre lever, it will not help your social status.

Make sure you have current anti-tetanus and other relevant jabs etc. before you do anything like this as well.

After a while you will develop an 'eye' for road kills, and will notice them almost automatically without it even distracting you from your driving, with experience you can tell sometimes at a glance whether or not your sighting is worth retrieving.

Common sense is also very important here, even if you see a whole flock of dead and comparatively undamaged Jungle cock all with perfect nails (the "nails" are the beautiful enamelled eye feathers used a lot on salmon flies), lying at the side of a three lane motorway, consider carefully before attempting to retrieve them, and if this should appear in any way dangerous DON'T DO IT!

The same applies to other roads, slamming on the brakes, and doing a racing U-turn in order to inspect a likely sighting is not a good idea, far better to carry on to the next turn-off, turn around and check carefully for traffic, before attempting retrieval.

Try not to make a song and dance about it either, grab your polythene sack and your shears, get the stuff into the sack and disappear as unobtrusively as you hopefully arrived. You will not believe the amount of curiosity your apparently eccentric behaviour may engender in some people should you be observed, even on minor country roads, and this could be dangerous as well. Some people get very incensed indeed at people "who go around mutilating harmless animals for fun," whether legal or not, it is best to avoid confrontations of this nature.

I wish to stress here that I would under no circumstances advocate the killing of any animal or bird merely in order to obtain material for fly dressing purposes, protected or otherwise. It should be clear that we are talking here of dead animals found at the roadside or in similar circumstances, whose demise is a result of accident. I like to think of this as natural recycling, the remains would often only rot at the roadside, if I did not use them.

The same goes for material obtained from hunters, friends etc, the feathers or fur would invariably end in the bin, and the animals concerned were killed for other reasons, usually food. I see no good reason not to use things that would otherwise be wasted. Furthermore in all the years I have been driving I have never personally hit an animal, I even slow down or stop when frogs are crossing the road.

I am prepared to admit that this is more due to luck than absolute intent on my part, as I have seen situations where the driver of a vehicle had no chance to avoid hitting an animal, I am nonetheless proud of the fact.

QUESTION I have a bantam cockerel and he has some of the most brilliant plumage i have ever seen. I also had another half bantam half white leghorn with a very nice white cape, the head of which is still in one of our sheds. Is there anything that needs to be done to treat the feathers and whats the best way to get the cape from the head?

ANSWER If you cut down from below the beak to the breast, then you can "peel" the skin off. It is not difficult to do. Once you have the skin off, lay it feather side down on a board, and scrape off any fat etc still adhering to it. Now you need to cover the skin with salt. ( Some people prefer to use borax, but salt works fine on capes). Leave it for a day or so, until the salt is completely dry, adding more salt in the meantime if necessary.

When the cape is dry, which is easy to see, as the salt forms a crust. Just wash the cape in warm soapy water, rinse well, and place skin side down on newspaper to dry. You may also use a blow dryer on low heat to "fluff" it up, if you like, but normally beating it lightly against your leg will suffice.

When the cape is completely dry, you may store it as normal. It must be completely dry though, as otherwise it will rot.

QUESTION Rubbing moisturising cream into the skin is supposed to keep the skin soft and flexible, have you tried this & if so how successfully?

ANSWER Yes, I have tried it on a few things. It does work on some, but there are problems associated with it. If you rub the stuff into some capes, you can not store them in airtight bags any more, as they tend to start rotting.

Nivea cream and similar stuff disappears into your skin quite quickly if you rub it on your hands for instance. Rubbing it into various pieces of cured skin does not always work in the same way, it just does not "soak in". This results in rather greasy feeling capes which are quite difficult to handle, and if you get the stuff on your fingers you have to go and wash your hands before you can continue dressing.

On some dyed capes and furs etc, the Nivea, (and similar stuff) may leach out some of the dye from the skin, and you will end up with your fingers coloured. This also means that you have to keep washing your hands if you don?t want to discolour other materials.

Unless you really need a flexible piece of skin for something or other, then it is best to avoid doing things like this. In the case of fur I prefer to have this in small pieces, or strips. This makes it much easier to work with, and it does not matter whether the skin is soft or not.

For "Zonker strips" and suchlike, you really need to use tanned skins. The Nivea, ( or just pure glycerine), does not soften untanned pelts sufficiently for them to be used as zonker material. Hot dyeing will tend to harden the skin of whatever you are dyeing. If you want the skin to remain supple then use "Cold" water dyes. These dyes will not stiffen up the skin. Cold "reactive" dyes like these, or similar are best;

http://www.dyeproservices.com/Dylon%20C ... %20Dye.htm

TL
MC
Mike Connor

Re: Hare's ear nymph

Post by Mike Connor » Mon Sep 19, 2011 8:32 am

Hare fur, ( indeed the fur from many animals), is far more complex than many people realise, and its many uses are a result of this complexity.

The simplest quickest method of obtaining the best dubbing for some flies, is to cut the tips off the hair. This is the part of the hair which waterproofs and otherwise protects the animal. But this is very wasteful, and also severely limits the blend shades and types one may obtain. It will still be mottled and spiky, but predominantly the same colour as the guard hair tips. It will not soak up any water at all, and floats like a cork. It is also springy and spiky.

Most patterns however call for darker hair.Most especially the "Gold Ribbed Hare?s Ear". The dubbing usually commercially supplied for this, and called "hare?s ear dubbing" is shaved and blended body hair which is quite unsuitable for that pattern. It is too light in colour because all the underfur is in the mix, it soaks up water, and it is often far too long in the staple. ( The staple is the average length of the longest hairs in the mix).

Indeed, as a rule, there is no "hare's ear" in the commercial dubbing at all, the mask with ears is always sold separately, because that is mainly what people buy if they don?t buy a packet or box of the other stuff, which is usually mixed with plastic of unknown antecedents, which for all I know might be ground up old carpets! Or does anybody seriously imagine that the suppliers scrape the ears and then discard the rest? =)

Buying "ready mixed" "hare's ear dubbing" is a total waste of money, as there is no way of knowing what is in it, or what to use it for. If you can't get a piece of pelt, then buy antron. At least you know that will work. It may not be as effective, you can't tie excellent dry flies with it, and you can not alter itss texture, but apart from that it is probably all right! :)

This is a bunch of hare body fur from about the middle of the back of the animal from a winter pelt. This is an old jack hare. ( a male).The bunch was "selected" by grasping a bunch with the fingers, like this, and cutting it off with scissors, as close to the pelt as possible;

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This is the resulting bunch;

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In order to use this sensibly for various things, it must be separated into its component parts. Here is that bunch reduced to its components by cutting the tips off, cutting the middle part off, ( which is very dark, almost black) and leaving the underfur with the guard hair roots;

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One may also separate the guard hairs by separating the underfur and the guard hair from the bunch. This is done by simply pulling the underfur from the bunch with the fingers. This results in a bunch of long guard hairs like this, ( this guard hair is going to be used as a hackle on a dry fly), and the underfur on the right;

Image

It should be noted that there is a lot more underfur than guard hair! This is also the reason why cutting bunches off a skin or mask etcetera and blending the resulkt, will result in relatively poor dubbing for a lot of things. There is a massive preponderance of underfur, and this is often not what you want.

With regard to the separated dubbing above, one might also simply cut this guard hair into smaller pieces and use it as dubbing. This will usually give a darker dubbing with a greyish tint, because the guard hair itself has these three shades of hair along its length. This dubbing will be spiky, and it will shed water easily.

The underfur may be used, but unless very tightly dubbed, ( and also treated with a floatant) it will soak up water like a sponge.

Many old time dressers merely used the "flax" which is the light yellow/brown/red/black guard hair tips, and discarded the rest.

I often use the whole length of the guard hair for hackling dry flies, and the "flax" for dubbing the bodies.

One may also mix the flax and the "middle cut" ( the dark hair), from the guard hair, in whatever proportions required to get the shade one is aiming for. This is then more or less identical to the hair which one obtains by scraping the ears, which have no underfur, just the tips ( very short on the ears) and the "middle cut", which is why the dubbing from the ears is darker. This is also considerably easier than scraping about for little return on mummified ears! =

Other blends are also possible such as the flax with the underfur. This gives an easily dubbed mixture which will go on tight, but still have some nice spiky guard hairs. This will then of course be a much lighter shade. One may also simply use the underfur which takes dye very well ( pantone marker)is very soft, and can be cut into small peices for "touch" dubbing. But this is quite useless for dry flies. Even with floatant it will sink fairly quickly.

The actual colours and shades involved vary according to where on the animal the fur is selected. This may vary from light grey through yellow to red to chestnut to dark brown or black guard hair tips, and the rest coloured accordingly. The underfur also varies considerably, but on the back for instance is a more or less uniform light grey colour.

The whole thing also varies with the season when the animal was culled, it?s sex, and it?s state of maturity. Old jack hares give the finest dubbing, and the greatest variety.

There is a great deal more to be said about it, but those are the basics.

In order to select dubbing for a specific function, floating sinking, spiky smooth, or a blend of these, one has to select and mix the various furs properly, or it wont work. Hardly anybody even knows how to do it, or why any more, they just buy a plastic box or a polythene packet with a label on it which says "hare?s ear dubbing".

Here is a dry fly ( sunk abdomen emerger) Using guard hair as hackle, and blended guard hair as a thorax. ( The abdomen is stripped peacock quill);

Image

This fly uses guard hair for the wings, blended guard hair for the thorax, and blended flax with light underfur ( the darker fur is removed)for the abdomen;

Image

This combination defines the function of the fly. ( More info here;

http://www.wildfisher.co.uk/smf/index.php?topic=4437.0 ( You can also find some other information on that forum. I post there as "Traditionalist").

http://www.wildfisher.co.uk/smf/index.php?topic=4459.0

http://www.wildfisher.co.uk/smf/index.php?topic=4440.0

This is a piece of partially used pelt which shows the make-up of the hare body fur on the back;

Image

With regard to blending.

Another excellent method of blending fur and similar materials in order to obtain a homogenous mixture, is to put the fur you wish to blend in a screw top jar, half fill the jar with water or until the fur is well covered, and shake the jar vigorously for a while. Pour the result through a piece of ladies stocking (remove the lady first!), or other fine mesh net, and put the resulting heap of fur on a sheet of white paper on top of some clean newspaper to dry. If placed directly on the newspaper, ink may bleed, or paper stick. This method has the advantage that you are able to see the colour you get when the dubbing is wet! When the lump is completely dry, you may store it, and simply pull off amounts of the perfectly blended fur as required.

Do not be tempted to assist the drying of such blended dubbing with a hair dryer, you will merely create a "hair storm", this is like a "sand storm", but much hairier, and sticks to everything. Tastes awful as well, but is relatively harmless as long as you washed it beforehand.

The resulting mess, even from a comparatively small quantity of such dubbing, is quite indescribable, alone the abominable stink which ensues, as the loose hair is sucked into the back of the dryer, and burns on the heating elements, also requires somebody of far greater erudition and eloquence than myself to describe, and the distributed hair is well beyond the capabilities of most vacuum cleaners to remove it, before your spouse/lady wishes to visit the bathroom. This is especially debilitating if she has her silk knickers drying over the bath. You would not believe how such dubbing sticks to silk knickers! I have it on good authority that hair shirts are merely a mild joke in comparison.

This may well jeopardise your future supply of ladies stockings, quite apart from considerably reducing your opportunities of removing the lady from them, or vice versa, in the near future. Old socks are not as useful, (and removing them is also not exactly a joy). The silk knickers are in any case useless, at least for filtering dubbing.

In the absence of a lady, I suppose you could try underpants, I have heard that people even make coffee using them. And why not? However, I would suggest you at least make the coffee first. Much the same applies to the blender, if you use it to grind coffee, then don't use it for mixing dubbing. Hairy coffee is absolutely disgusting, perhaps not quite as bad as hairy silk knickers, but almost certainly on a par with "Iron Blue", "Medium Olive", or "Dark Claret" chips, if you forget to clean the chip pan after a dyeing session. Quite apart from any hospital bills which might accrue as a result.

Dubbing is an ancient art, and there are many "secret" recipes. Mostly I try to achieve blends of colours by adding at least three colours, (or "shades", much natural fur has no single colour as such), and sometimes more. There are very few insects of only a single colour, and even fewer with bodies of bright blue or red or green. Although there are some. Even these are rarely a single shade.

This blending technique, along with others, is quite ancient, and still very popular for Irish flies, and some North Country flies, although it is not much talked about nowadays. Quite recently, a lot has been made of "New" "spectrumised" dubbing. Apart from sounding like a load of codswallop to me, "Blended" would seem more than adequate for describing the result of the process, it is not new at all, but probably one of the oldest techniques in existence. Many now ignore it, mainly for convenience sake, but they lose a lot as a result.

As a rule, subdued blended colours are much more successful than bright flashy ones. The most effective flies are usually those which are tied very sparsely indeed, and where the dubbing is so sparse that the silk or other underbody shines through underneath the dubbing. The silk, or the underbody, must of course be of the right colour to achieve these effects. (This does not apply to knickers, at least not in connection with dubbing).

Mole fur or water rat dubbed on yellow silk was a favourite of some old English wet fly experts. The "dubbing bag" of a good dresser at the turn of the last century in England would have contained moleskin, mouse skins of various types, rat, water vole, hedgehog, fox, squirrel, and hare, obtained at different seasons of the year when their coats were of the required colour. Some of these are of course now unobtainable. Some dressers would have quite outlandish dubbing collections, even going so far as to drag aborted calves and the like out of lime pits. I fear I draw the line at such, and I don't know of any lime pits in any case! Smile Nearly as much trouble as elephants, or poisonous cormorants, as far as I am concerned.

I do have a couple of "secret" dubbing mixes, some of which I was given a long time ago in Yorkshire, and a couple of "modern" ones, which actually work very well, and I will list a couple later on.

You will often hear people saying or writing that it does not make a lot of difference, and that the "approximate" colour suffices, even in a single colour. I can assure you that this is most decidedly not the case. The correct mixture may often be essential to success under particular conditions. A fly which is "near enough" may well catch a few fish, but a fly which is "exactly right" will do much better.Not only that, but the texture and properties of certain dubbings are absolutely essential for correct operation of the fly. It is no good at all using soft absorbent underfur to dub dry flies, even though modern floatants will aid considerably in getting such things to float. Hair used for hackles and wings, something which hardly anybody uses, must also be bright and springy guard hair, This also depends to a considerable extent on the size of the fly one is dressing. Using coarse hair on small flies makes things difficult, and the flies will not usually be much good either.

Although it is often stated that the old time dressers used mainly natural colours, actually quite a few dyed colours were used. For salmon and other fancy flies of course, but also for trout flies, many of which were not at all "gaudy".

One popular method for dyeing certain feathers and furs was the use of picric acid to obtain shades of olive which are not obtainable naturally. Some of the dubbing mixes were passed down from generation to generation and kept as family secrets. They were considered essential to success. As many of these experts were subsistence fishers, it is understandable that they did not publicise their successful methods and flies.

Most books and articles on these matters were written by well to do anglers, and seldom by the people who invented and used them. Picric acid by the way is highly unstable, in it?s dry state, tending to explode without warning, and is also extremely poisonous. Treat materials stained with it with great caution. It is also a powerful contact poison. If you get yellow stains on your fingers from it, then visit the doctor immediately! We wish to advance our knowledge of dyeing techniques here, not dying techniques!

Is all this really necessary? Of course not, but neither is fly-fishing itself. Collecting fur and feather, preparing, improving, and storing it, is merely an extension of fly-dressing, which itself is merely an extension of fly-fishing. Much of my informal "adult education" and general knowledge, on a host of subjects, is the result of my following up various things connected with fishing. I have read that a "normal" man thinks about sex several times a day, well I do that as well, but I rather fear I think even more about fishing. I say "fishing", but of course this encompasses many fields.

Practically all the sciences, various technologies, literature, history, the arts, etc etc etc. Indeed it is a bottomless well of knowledge, and exploring it, indeed occasionally losing oneself in it, is a delightful pastime. Is such knowledge useful? Well, I think so. I believe that knowledge is intrinsically valuable. Doubtless I would have a great deal less had I not engaged in fishing and all connected with it at a very early age.

So, on to dyeing, dubbing, and dressing. I promised to give a few "secret" dubbing blends, and here are a couple. The first one is a substitute for "Chadwicks 477 wool". This was a fawn coloured darning wool, immortalised for fly-dressers, and others, by Frank Sawyer, who used it to dress his famous "Grayling Bug".

There has been quite a lot written and related about this stuff over the years, and there are a fair number of substitutes extant, (the original is now only rarely obtainable, and is very expensive), most of which don't work very well. The most striking property of this wool is it's apparent ability to attract fish! Indeed, fish will actually move a good way to pick up "grayling bugs" tied with it, which are lying static on the riverbed. They will not do this with most of the substitutes, for the simple reason, that these are poor substitutes.

When wet, this wool takes on a peculiar glowing pinkish/purple/brown colour, which is very attractive to fish. A Hare Fur Shrimp, is a very good fly, and will take fish practically anywhere, but if you tie it with the following dubbing mixture, it becomes absolutely deadly!

Just as for the original wool, the fish will actually move a long way to pick up static examples, and fished on a rolling dead drift, close to, or on the bottom, or even twitched and retrieved, it enjoys phenomenal success. You can add plastic backs, and various ribbings, and even hackles if you wish, but they don't actually make a lot of difference. The fly is simple and very robust indeed. I have had hundreds of fish on this simple fly. Often several dozen in a day.

Here is a pattern and the mix:

Hook, size 16 to size 6 long shank!
Underbody 1. Lead wire, Overwound with thread, and varnished.
Underbody 2. Silver lurex. Best over the "damp" varnish.
Body. Dubbing made of the following mixture.
Rib. gold (brass) wire.

Add two pinches of teal blue hare fur (or soft seals fur), one pinch of hot orange hare fur (or soft seal fur), and one pinch of crimson hare fur (or soft seal fur), to twenty pinches of pre-blended fawn hare body guard fur. Blend well so that the colours "disappear" in the general fawn colour. You can dub sparingly, keeping the fly slim, but still covering the lurex. Or you can dub a bit more heavily, and brush the fly to shape afterwards. The lead underbody must be varnished (nail polish) before winding the lurex and dubbing, as it will otherwise bleed and ruin the fly quite quickly.

This rather weird purply brown colour is very attractive to grayling, (and trout!), and they will actually pick it up off the bottom. The lurex is necessary to make it "shine" when wet. It will probably work with a white painted hookshank as well, if you prefer lighter flies, but it is most effective on the bottom. Doubtless there are other effective mixes, but this one works well. A version with a pinch each of bright green, bright yellow and dark red/brown dubbing added to ten pinches of hare body fur, works very well for trout in summer, and a version with white Anton mixed in the same hare dubbing (White, not transparent) works well as a shrimp pattern in the ocean.

I did have a few cards of the original 477 yarn, which I bought at a sewing shop which had old stock. I used these up long ago though, and the dubbing mix has proved a successful substitute for the yarn.

Some general info

Mammal hair or fur grows in cycles and actually goes through three separate phases: anagen, catagen and telogen. In the anagen phase, hair is actively and continuously growing. Afterwards, hair goes through a short period of growth recess (catagen) and enters into telogen in which hair stops growing.

Hair and fur also "wears" constantly, and is shed and replaced at various intervals.

The exact control of the hair growth cycle in mammals is still not fully understood. Under normal conditions, it is predominantly controlled by photoperiod. Various animals in northern climes shed mainly in spring and autumn ( fall) . Other factors such as genetics, nutrition, and hormones also affect hair growth cycles.

Hair and fur are the same substance, ( mainly keratin). How they form, and their resultant properties are the result of genetic programming and environmental factors.

The terms "hair"and "fur" are technically completely interchangeable.

http://en.wikipedia.org/wiki/Hair

http://en.wikipedia.org/wiki/Fur

“Underfur” is the crinkly soft fur close to an animals skin. Often also referred to as “down”. Mainly for insulation.It often varies in colour according to location on the animal, as does the guard hair, although some animals have “single colour” fur.Also, many animals have very specialised fur. Mole fur for instance is “unidirectional”.

Depending on the animal, and the location of the fur on its body, there may be little or no underfur present. In some locations, there is underfur, but no guard hair, and variations of these combinations are also extant.

“Guard Hair”, is the long hair which grows through the underfur, gives the animal protection, waterproofs it where required, and also defines its visible colour. However, the hair may vary considerably in colour along its length, and acording to its location on the animal.The tips might be white, and the base black or brown etc. Or various mottling or barring be apparent. The guard hair might be dark brown, and the underfur blue, or white, for instance.

There are various ways of removing hair from the skin, depending on what it is, and what you want to use it for. For many furs simply cutting it off with scissors works well. For other furs, various tools are useful, like a dubbing rake.For a lot of things, I like to just pinch the fur out with my thumb and fingernail. This only works if you take SMALL! Pinches, and you need a little practice as well, in order to avoid making a mess of the skin.One may also use good solid tweezers to remove hair.

Feathers have evolved to enable flight, among other things, and many of them have peculiar aerodynamic properties, even single fibres or bunches of fibres. Many flies dressed with feathers, either slips or bunches, will "Helicopter", most especially if they are not very carefully balanced in size and shape. The weight distribution when flies are dressed "upside down" aggravates this propensity, and will often hopelessly twist and damage a fine tippet after a couple of casts. With few exceptions, feathers have interlocking fibres. like tiny zip fasteners, and these "catch the wind" It does not matter much what you do, this will always happen. Also, when on the bird, feathers are constantly preened to keep them in order, and reasonably waterproof. On water-birds this is absolutely vital. If you degrease a water bird, it becomes waterlogged immediately, sinks and drowns. This is why the major bird kills by oil spills are not caused by the oil itself, although this is shocking enough, they are caused by the detergent used to fight the spill, which degreases the birds, and so they drown.

Fur and hair have not evolved to enable flight, otherwise pigs, and a host of other things might fly! They have evolved primarily to keep their bearers warm and dry. Of course there are specific hairs with specific properties on fur bearing mammals, but not in the same manner or diversity as with feathers. Also, and of primary interest here, is the fact that hairs and furs have no interlocking fibres. This means that air moving over them merely goes "through" a bunch, "over" a clump, or " around" a single fibre. The hair does not offer resistance in any specific direction, and so wings and similar things on flies which are made from it don´t "helicopter".

There are some exceptions. If one makes the wings too dense, or completely unbalanced ( One heavy wing and one very light one) then they may twist somewhat, but still not as badly as feathers, and this is in any case then a design fault, and not the fault of the material. This also mainly occurs on "stiff" hairs like deer hair and similar. Which is mainly why I don´t like deer hair for these flies. It is also far more difficult to use. Of course it works, and so do feathers, but not as well. A steam engine works very well, but I bet you drive a car with an internal combustion engine?

That is the basic explanation. One could go on at length about various properties here, but it would not really serve any useful purpose.

These are the stockings I recommend for preparing the dubbing;

http://img834.imageshack.us/img834/6074 ... ckings.jpg

If you need instructions for removing these, then ask the lady! :)

TL
MC
Mike Connor

Re: Hare's ear nymph

Post by Mike Connor » Mon Sep 19, 2011 8:35 am

ImageImage

This is the INSIDE of an ear and the OUTSIDE of the same ear

On the leading edge of the ear, both sides, you have very light coloured guard hair. One side has much stiffer and longer hair than the other. You can use the long side for wings, tails etc, and the short side for light guard dubbing.

There are three other distinct areas on the outside of the ear. At the base of the ear you have short red/brown fur. Above this short white/buff fur, and then you have the tip of the ear which is very short almost black fur.

Moving to the inside of the ear. We have already covered the leading edges.We have much the same scheme as on the outside, but there is much less hair and it is shorter. Otherwise similar. Again the easiest way to remove this hair is by pinching it out with your finger and thumb. You may of course shave it, using an electric shearer or similar, but this tends to shorten already very short hair, and as various parts of it are quite spiky, this may be difficult to dub.

An electric razor is no use by the way, it chops stuff into tiny bits.

Tight Lines! ~ Mike Connor
Mike Connor

Re: Hare's ear nymph

Post by Mike Connor » Mon Sep 19, 2011 8:48 am

Image

Your mask should look something like the one in the photo. The "quality" and colouring of hare masks, ( or indeed of any other animal) is subject to large variation.

As you can see there is a large range of colours here. The textures of these hairs also vary depending on where you take them from.The ears etc are on square graph paper as I am working on a system for describing hair types and locations, but I am not finished yet.

OK. The mask has a number of more or less well defined areas with specific types and colours of hair.

On either side of the nose, there are areas of reddish brown hair with very little underfur. Moving up the side of the mask, this changes to a light buff colour. As one moves further up, the hair tips become darker with a well defined dark brown to black band, and blue grey underfur.

Between the eyes and on the forehead is hair with light yellowish tips and a dark base.

At the base and between the ears is the "poll" this is a light reddish brown with pale tips, with underfur of the same colour. This is the same colour and texture as buff opossum fur.

At the base of the ears you have soft fur with light, often almost white fur with a varying length of dark base. Moving up the ear itself you have short dark hair with light tips. This is the hare recommended for the hare´s ear nymph. You can remove this by pinching it off with your thumb and finger nail. The whole side of the ear is covered with this hair.

So, that very roughly covers it. I have been working on an article about this for quite some time, but I don´t know when I will finish it. You can blend any of these furs together in pinches, or you can use each type of hair alone, or you can separate the guard hair and the underfur and use it separately. There are many possible blend combinations. I have covered about twenty of these "standard" blends so far, but of course they are practically infinite.

Many people simply shave the mask and chuck the result in a blender, But this is a terrible waste of possibilities and the resulting blend, though quite excellent for some nymphs and wet flies, contains a very large percentage of underfur, and is thus less suitable for quite a few things, including dry flies. You can dress dozens of completely different flies using a mask and ears. And you can also control the properties of those flies.

For guard hair wings and the like, body fur is better simply because it is a lot longer and easier to handle. even short body guard hair is at least an inch long, which is quite ample for even the largest flies.

The guard hair from various locations also differs in colour according to location, and much of it also differs in colour along its own length. There may be three or more clearly defined colours or shades of colour on a single guard hair, If you want a specific colour, then just cut the colours off that you require, and put the others aside for something else.

The finished article also has a cross reference to the flies which may be dressed with the various hair, and why it is used. But I am still working on that, and the project is on another disk on another machine, so I can´t give you any of it yet.

TL
MC
Mike Connor

Re: Hare's ear nymph

Post by Mike Connor » Mon Sep 19, 2011 8:55 am

If you want to keep this information, then use this;

http://www.tracker-software.com/product ... hange-lite

It is free for home use. Simply "print" the stuff above to the PDF maker. You then have the complete files. You can of course also print it to hard copy if you really want to.

TL
MC
CreationBear
Posts: 1156
Joined: Sun Jun 20, 2010 6:35 pm

Re: Hare's ear nymph

Post by CreationBear » Mon Sep 19, 2011 8:57 am

Wow, I'm going to be sifting through these posts for days. :) I may well have missed it, but do you have a particular soap you like for washing your skins?

At any rate, I think y'all are lucky in your supply of English/European hares--there is a native hare, colloquially called a "swamp rabbit," that we have here in the South, but of course it doesn't get such a winter coat....certainly not up to Argentinian standards, anyways.

Thanks again. :)
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